Shuffled: 

1) I've got a woman - Ray Charles 
2) The Twist - Chubby Checker
3) Under the Boardwalk - the Drifters
4) Desperado - the Eagles
5) Carolina on my mind - James Taylor
6) Dead bodies everywhere - Korn
7) Love is real - John Lennon
8) Your Song - Elton John
9) Me and Bobby McGee - Janis Joplin
10) Margaritaville - Jimmy Buffett 

These songs are all oldies.  I like it.  Well, I guess Korn is old now.  1998 was a long time ago.

To thine own self be true. Know thyself. Who the hell are you? Many of us may think we know ourselves. Many of us may think we know what we want out of life, whether we know how to get it or not. I don't make similar claims. If I knew myself I doubt I'd be writing this blog. I doubt I'd be writing much at all. The problem with claiming you know who you are is that things change. Jobs, circumstances, addresses they all change and with that change comes a shift in your character. I think this is most easily illustrated by music.

This works for me because I've always been a lover of music. The music I listened to defined my life. For example, in Junior High I listened to a lot of Nirvana, Bush, Silverchair and Weezer. Obviously I was into grunge and a sort of indescribable inner pain. Once High School hit those tastes developed into things like Nine Inch Nails, and Korn. About halfway through Limp Bizkit came on the scene, only to be followed by Eminem, and strangely enough Save Ferris. After High School I wouldn't be caught dead bumping Limp Bizkit in my car. It was a thing of the past. I like to think that my tastes grew after High School. I got into The Pixies, Queens of the Stone Age, Ok Go, and quite a few more. I'm more open to classical music and country. I'll give a song a chance before I switch it off. Throughout all this musical transition there was one constant; Weezer was always at the top of my list and actually still is. I like Weezer a lot because even though a lot of their stuff sounds similar it's all different. Weezer has evolved and grown over time. That's sort of how people are. We grow and change and even though we're different we're still the same.

Just like many folks I'll pop in a Nirvana album from time to time and sing along remembering the days of old, but it's not the soundtrack to who I am anymore. I think who I am will always be shifting and changing, which may be strange to some folks. So I guess that's really who I am, a strange woman.

Heinz Erhardt war einer der bekanntesten und beliebtesten Komiker Deutschlands Sein Humor war in erster Linie auf Wortspielereien und verdrehten Redewendungen aufgebaut. Und was allgemein eher unbekannt ist: Heinz Erhardt litt an einem sehr ausgeprägten Lampenfieber und so nahm Erhardt vor Auftritten unter dem Vorwand, er müsse noch etwas klären, oft einen Dodo (doppelter Dornkaat) zu sich, - also nicht nur, wenn er traurig war. Heinz Erhardt brachte immer die Menschen in Stimmung und so lag es nahe, dass Schmitti alias Jürgen Schmitt sich den wohl bekanntesten Song von Erhardt: Immer wenn ich traurig bin (trink ich einen Korn) einmal vornahm, um ihn neu zu interpretieren. - Schmitti, der nicht nur Sänger, sondern auch Komponist und Texter ist, erhielt vom Verlag und dem Komponisten Erwin Halletz die Genehmigung einen neuen erweiterten Spezialtext für einen neuen aktuellen Party- Mix zu verfassen. Nun war Schmitti im Studio und nahm dort die wohl ultimativste Mallorca Party - Version auf und in dieser neuen Fassung ist der Song ein Garant für beste Stimmung und verspricht, auf jeder Mega - Fete das absolute Party- Highlight zu werden. Mallorcakönig-Records freut sich auch für Schmitti: Dieser Super- Mix wird ein Knaller sowohl auf Mallorca- als auch auf Skihütten - Partys und im Karneval. Der zweite Titel: Ein super Oldie als Einstimmung auf die Europameisterschaft 2008: Balla Balla. Da geht die Post ab. Schmitti lass es krachen!

Text Lyrics):
1) Immer wenn ich traurig bin trink ich einen Korn
Wenn ich dann noch traurig bin trink ich noch en Korn
Und wenn ich dann noch traurig bin trink ich noch en Korn
Und wenn ich dann noch traurig bin fang ich an von vorn
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di ha ha ha
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di
2) Immer wenn ich traurig bin trink ich mir ein Bier
Wenn ich dann noch traurig bin trink ich noch en Bier
Und wenn ich dann noch traurig bin trink ich noch en Bier
Und wenn ich dann noch traurig bin trink ich Flasche vier
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di ha ha ha
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di
3) Immer wenn ich traurig bin trink ich ein Gedeck
Wenn ich dann noch traurig bin trink ich noch en Gedeck
Und wenn ich dann noch traurig bin trink ich noch en Gedeck
Und wenn ich dann noch traurig bin trink ich alles weg --
alles weg alles weg weg weg...
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di ha ha ha
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di ha ha ha
Holla-hi jubi jubi di Ha ha ha
Holla-hi jubi jubi di

]]> http://rockandmore.wordpress.com/?p=87 Thu, 07 Aug 2008 22:08:49 +0000 Roy Ibanez http://rockandmore.wordpress.com/?p=87 Si hubo un grupo grande en los 90 fue Pantera.

Y es que les tengo un cariño especial. Todavía les escucho a veces, sobre todo cuando la "prensa especializada" en rock va por ahí diciendo que ha aparecido un nuevo grupo muy bruto que va a revolucionar la escena del Metal. Gente como Korn, Disturbed, System of a Down o Linkin Park es deudora de los riffs sabbathianos del maltrecho Dimebag Darrell y la voz poderosa de Phil Anselmo. Y conste que no tengo nada en contra de esos "nuevos talentos" (excepto contra Linkin Park, que nos les soporto por ser adorados por los "modernillos" que se informan en Los40 Principales), pero las comparaciones siempre fueron odiosas.

He de reconocer que uno de los conciertos más brutales a los que he asistido nunca fue suyo, a mediados de los 90, en la gira del Far Beyond Driven. Fue en el antiguo pabellón de baloncesto del Real Madrid. Por entonces Pantera estaba en lo más alto, su reinado era indiscutible y sólo Machine Head les podía mirar de tú a tú. Recuerdo que me lo pasé muy bien con los teloneros, una banda de Death Metal llamada My Dying Bride, que me sorprendieron gratamente con su violín eléctrico. Tras media horilla de teloneros, se encendieron las luces, apuramos los kalimotxos y casi sin dar tregua empezó a sonar el riff de Cowboys From Hell. El pogo no se detuvo hasta la tercera o cuarta canción. Recuerdo que me tuve que salir varias veces del mogollón, la gente estaba estremecida. Recuerdo quitarme y anudarme a la cintura, de tanto sudor, mi vieja camiseta desteñida del Kings of Metal de Manowar que llevaba a todos los conciertos, y que todavía conservo... snif snif. Perdí la voz gritando durante las dos horas largas de concierto. No faltó ninguno de sus temas importantes, con lo que nos fuimos con la sensación de haber asistido al concierto de la década. Anselmo estuvo inconmensurable, saltando y animando en todo momento, y la guitarra de Dimebag fue realmente incendiaria.

El siguiente disco (The Great Southern Trendkill) ya no fue tan potente como los tres anteriores, aunque les mantuvo arriba. Luego el Reinventing the Steel, y a continuación vino la separación. Anselmo retomó Down, su proyecto paralelo con el guitarrista de Corrosion of Conformity, y los hermanos Abbott (Dimebag Darrell y Vinnie Paul) continuaron bajo el nombre Damageplan. Por separado nada fue lo mismo, y los trabajos de ambos son reprochables. El triste final llegó en diciembre de 2004, cuando un subnormal desequilibrado se lió a tiros en pleno concierto de Damageplan, hirió a dos personas y mató a otras cuatro, entre ellas al bueno de Dimebag. Otro mártir del rock and roll.

Sin contar con sus denostados discos de los 80, todo el mundo se inclina por los apoteósicos Vulglar Display of Power y Far Beyond Driven, pero mi album favorito fue siempre Cowboys From Hell, donde brillaban la canción que daba título y Cemetery Gates, sin duda una de las mejores canciones de los años 90.

Tainted Love - The Cure

Love me Two Times – The Doors

Evolution – Korn

White Wedding – Billy Idol

Spanish Castle Magic – Jimi Hendrix

Learn To Fly – Foo Fighters

Note to Self – From First to Last

Welcome to The Jungle – Guns N Roses

The Reason – Hoobastank

1969 – Iggy Pop and the Stooges

I Wish You Were Here – Incubus

Shine – Collective Soul

I Bet You Look Good on the Dance Floor – Arctic Monkeys

Natürlich mache ich es den Ideen auch so leicht wie möglich, den Weg zu mir zu finden. David Ogilvy, einer der größten Werbe-Gurus der 60er und 70er Jahre, hat einmal gesagt: "Auch ein blindes Huhn findet mal ein Korn, aber es ist gut, im Hühnerstall zu suchen." In diesem Fall ist der Hühnerstall der Kopf meines Romanhelden, denn in dem gehen Dinge vor, die vieles bestimmen. Der Satz "Scheiß was drauf" kam nicht von Fabian, sondern von mir. Ich war in einer Phase meines Lebens und Schreibens, in der es nur noch mit dieser Einstellung weiterging. Scheiß was drauf, was alle von dir erwarten, von diesem Buch erwarten, was du davon erwartest! Streiche alle Erwartungen und schreib.

Dann aber musste es Fabians Satz werden. Ich wusste, dass ich vor dem Club anfangen wollte. Was fühlt er dort, wie ist das, wenn man in den angesagtesten Club will, bekannt für harte "Türpolitik", ein Schwellenhüter, den man nicht erwartet hat, das Bewusstsein, dass man mit seinen Tics kaum ein Chance hat hinein zukommen... Was geht in Fabian vor? Schildere ich ihn gleich als hoffnungslos, jammernd, hilflos oder kann ich ihm etwas in die Hand (den Kopf geben), das zu seiner Situation passt, das sicher kein Lichtschwert oder ein Stein der Weisen ist, aber ein Werkzeug, sich in kritischen Situationen irgendwie zu behelfen.

Wenn er ein besonderes Verhältnis zu Wortwelten hat, einen besonderen Umgang mit Sprache hat, was tut ein junger Typ wie Fabian? Wie genau könnte ein Satz, könnten Worte ihm helfen, sich in den Griff zu kriegen. Indem er Strukturen schafft. Klare Muster, an denen sein Gehirn sich abarbeiten kann. Da ist die Idee, ich hatte das Korn gefunden. Es machte auch Spaß, auf diese Erkundungs-Tour zu gehen. Welche Art von Sätzen gibt es, wo lauern Fallen, wie charakterisiert Fabian andere Menschen über diese Besonderheit: Von Baby konnte ich mir nie einen guten Satz erhoffen, weil alle ihre Sätze immer gleich durchliefen. Sie boten mir nichts, absolut nichts, das meine Hirnwindungen austricksen konnte. Fischstäbchensätze, einer wie der andere, Normpressung, Abweichungen verboten, kein Gut, kein Böse. Paniert, kalt, innen hart."

Für den Leser ist das nicht immer einfach, besonders am Anfang des Buches: "(...) Auf zwei Seiten sinniert Fabian über einen kurzen Satz, den er kurz vorher von Micro vor dem “Depot” aufgeschnappt hat: 'Scheiß was drauf'. Was in Fabians Kopf da vorgeht, ist etwas komisch - und es dauert etwas, bis man als Leser kapiert, worum es hier geht (...)", schreibt Ulf Cronenberg in seinem Blog Jugendbuchtipps und ich stimme ihm zu. Aber es war unvermeidlich, weil es in der von mir gewählten Erzählperspektive die Reise meiner Helden in deren gewohnter Welt beginnen lässt, wie es sonst nicht möglich gewesen wäre.

Jag har varit på två KoRn konserter i mitt liv ;) (och på eminems en gång haha.)

Den första Korn konserten var år 2002 då jag gick dit med min dåvarande pojkvän Mika och hans kompis Kim.. Konserten var hur bra som helst! Och nej jag var ingen fjortis då martin ;) Hela 16 år gammal förfan :D

Den andra Korn konserten jag var på var år 2004 då jag gick med Katja, vi partade o hade skoj =D Mycket trevligt sällskap måste jag säga ^^,

http://www.aftonbladet.se/nojesliv/musik/live/article220037.ab

Jag skulle åkt med Katja på min tredje Korn konsert nu i februari iår men det blev inte av då jag hade hög feber och inte kunde ta mig iväg... Och syrran hade andra besvär;) hehe... Jag velade till sista minuten jag skulle tagit med mig lillesyrran annars.. men det gick bara inte :'(

Fan vad surt det var har nog inte kommit över det än ;) Så himla typiskt att man ska bli sjuk då nåt riktigt kul e på g! Vi skulle bara åkt till Sthlm över dan o lattjat!

Här har ni mina favvo låtar med Korn, inte i nån speciell ordning men:

Korn - Freak on a leash

Korn - A.D.I.D.A.S.

Korn - Falling away from me

Korn - Another brick in the wall (ja deras version e bättre)

Korn - Y'all want a single

Korn - Bitch we got a problem

Korn - Love & Luxury

Nää nu räcker det för annars kommer jag bara fylla på med mer hela tiin!!! :D Korn rules, så ere bara ;)

1. Wait for it to come on the radio.
2. Wait for it to come on MTV.
3. Go out and buy the record or single themselves.
4. Wait for it to come on the radio, tape it from the radio, and then have it for themselves.

Now suddenly, my generation came along and this magical thing called "the Internet" arose. Now don't get me wrong, we still went through options 1-4. I remember in 1994...

***************************************************************************************************************************************************************************************

sidenote here: I may as well get this out of the way now. I believe music in my generation peaked in 1994, so you'll often find me referencing that as my favorite year of music. Artists were creative, hip-hop was changing, rock was coming back from the glam and grunge days (though grunge was definitely still around). Let me just refresh your memory of some albums that were dropped in '94 (the ones I've highlighted are amongst my favorite all-time albums):

• Dookie- Green Day
• Mellow Gold- Beck
• The Downward Spiral- Nine Inch Nails
• All-4-One: All-4-One (Don't lie, you know that shit was hot then)
• Illmatic- NaS
• Southernplayalisticadillacmuzik- OutKast
• Weezer (The Blue Album)- Weezer
• Ill Communication- The Beastie Boys
• Grassroots- 311
• The Lion King Soundtrack (The first CD I ever bought...so a bit nostalgic)
• Grace- Jeff Buckley
• II- Boyz II Men
• four- Blues Traveler
• Ready to Die- The Notorious B.I.G.
• Project Funk Da World- Craig Mack (for if this album hadn't been released, we wouldn't have the first [and best] hip-hop remix ever, The "Flava In Your Ear" remix)
• Monster- R.E.M.
• KoRn- KoRn
• Resurrection- Common (though known as Common Sense at the time)
• MTV Unplugged: Live In New York- Nirvana
• Tical- Method Man
• CrazySexyCool- TLC
• Superunknown- Soundgarden

***************************************************************************************************************************************************************************************

Ugh...looking at the list makes me so happy and yet so sad for the current state of music, but alas, that's another blog post. As I was saying...my generation went through the whole waiting for music to come on MTV option. I can vividly remember some of the videos from these albums. From the little girl in the bee costume in the "Black Hole Sun" (Soundgarden) video to the cool animated water versions of TLC in the "Waterfalls" video. The Wizard of Oz themed video for "Runaround" (Blues Traveler) to the house party in Snoop's "Gin and Juice" video (sure, Doggystyle was released around Thanksgiving of '93, but Gin and Juice wasn't a single until January of '94...). The videos were fantastic though, and kept us engaged and watching MTV.

Then, something happened.

My generation hits high school, and this little thing called "Napster" starts getting buzz. Apparently, you can download any song you want...for free. Wait, so you're telling me I can get all the music I want and not have to pay a cent for it? Sign me up! So long going out to buy music. So long watching MTV for music, its right on my computer. Sadly, so long music videos.

Now I'm not saying there weren't great videos made after the P2P sharing boom online, but I feel as though it is a lost art. Sure, you get the occasional good Spike Jonez video and sometimes you get things like Jay's videos for "99 Problems" or "Blue Magic" but they're rarities.

However, there is a new generation rising. It's not so easy to just get music online anymore. Now you've got to pay 99 cents for songs. However, kids these days are going to YouTube to get instant gratification. You get all sort of fan-generated video content to go along with their favorite pop songs. I remember teasing a friend of mine from college that his music collection was non-existent, but then he explained to me that he just looked for songs on YouTube whenever he wanted to hear something, leaving the hard drive space to be used for...well...other endeavors. The fantastic thing about this, though, is that some artists are looking to make good videos again.

Michael Jackson once talked about trying to make miniature movies with each of his videos, and it is no doubt that he is the king of the music video. His videos were consistently groundbreaking and eyeopening. In the 90's, Hype Williams created some great hip-hop videos using the "fish eye lens" to create a whole different perspective (see Busta Rhymes' "Wooha!" video). Today, I'd like to highlight one of my favorite current video makers, Chris Milk. I've added a few of his videos below. Check them out. He's really one of the bastions of the music video resurgence as he's created some great videos for Gnarls Barkley, Audioslave and Kanye West. Hopefully he, along with others can bring back the music video star. I miss it.

Gnarls Barkley- "Who's Gonna Save My Soul?":

Audioslave- "Doesn't Remind Me":

Kanye West- "Jesus Walks" (alternate video)

Kanye West- "All Falls Down" (damn Stacey Dash is still fine...)

RUNNING!

The important thing about any aerobic activity is pick music with like beats and a relatively repetitious beat. Whether you mean to or not, the pace of your run is indicative to your subconscious. If you go out for a jog with stressful issues on your mind it is almost guaranteed that the pace will not only be quick but inconsistant. Same goes for the music. Progressive rock is not the choice of the long distance runner. Too many different beats, too many tempo changes and most of the time it starts slow, then changes too fast and then finishes slow. That maps out the same as a really shitty run. So stay away from Led Zeppelin, Pink Floyd, Cold Play, The Beatles (drug years), anything new from Metallica (because it sucks) and usually any song over 8 minutes. Personally I go with Daft Punk, certain songs from Blur, AC/DC (because it all sounds the same) and so on. Here are some examples.

Daft Punk has had a long history with my running years. They stay consistent and it is fun to listen to without getting so wrapped up in the meaning of the song that you end up on the bumper of a Buick. "Human After All" is a great running song. And so is "Make Love". That's my trail running song and I have it on repeat for at least an hour. It sets my heart rhythm perfectly. Take a gander.

Weight Training!

This is when you need to step it up a notch. Having a melodic and repetitious beat can have an opposite effect on your mind when you are feeling the burn. It's okay to be angry here so turn up the volume and rock on. This is especially important when you are killing the abs.

This may not resonate with many people but if you want to get the adrenaline pumping there is no greater band to help you than Slipknot. I give these guys mad props because they have been with me for every milestone in my lifting endeavour.

I'm not a huge Korn fan but I love this song. In fact, it saved me from a possible 'episode' at the gym. True story: I workout at a 24 hour gym and sometimes I take them up on the 24 hour aspect and lift by myself. (don't do that) So, I had a long day and was feeling surprisingly energetic. I had a great workout and decided that it was a good idea to finish the night by pushing a new lift record on the incline bench. Well, upping the weight by 30 lbs proved too much for my over-zealous ego and got stuck on the bench with 225 lbs on me and no way to get it off. I felt like Tom Hanks in the Money Pit when he sank with the rug into the hole in the floor. I started laughing but the pressure on my chest made it difficult to breath. I had no way out. That is until I gained composure and this little ditty came up on my mp3 player and I turned agony into sheer anger. I lifted it off and quickly racked the bar. So, I owe it to Korn for...I guess embarrassment of staying at the gym until someone came in and saved me. So Thanks Korn!

Hot Dog Eating Competition!

If this doesn't make you smile then you have no soul.

So, that is a little blurb about fitness and music. It was random and semi pointless but I didn't want people to think that Macabre Fitness went to the way side. It's going to be bigger than Uncle Sam's nipples, I tell you.

:

Korn les dió el empujón al incluirlos en su gira del año 1997 y que finalmente les ha dado el reconocimiento que actualmente se les profesa. Agracecidos debemos de estar por ello al grupo californiano.

1. "Who Says?" by Richard Hell & The Voidoids ( from Blank Generation, 1977 )
I love Richard Hell. This isn't my favorite track on this album (that would be the epic "Another World") but it IS a fine example of the fact that one didn't have to play loud/simple to make it in the "punk" scene (in quotes because of the vague definition of such). There's a thoughtful, shaky tension to this song (and album)--as much (or more) in common with Television (which Hell was briefly in) as The Ramones or any of that ilk.

2. "4U" by KoRn ( from Issues, 1999 )
In my defense, I went to high school from 1998-2002. Actually though, this isn't that bad. It's not great or anything, but it has a kind of interesting atmospheric thing going on, and it's short so it's over before it gets too old. I remember when this album came out... I still want to learn to play the bagpipes.

3. "Creeper" by Islands ( from Arm's Way, 2008 )
I dunno, this album didn't quite get to me as much as their first (or The Unicorns album) did. But there is a certain pleasant groove going on here, even if it is a little... conventional, for lack of a better word, in that it hits exactly the notes a dancy "indie-pop" song should hit . Hm. It is catchy, though--well executed if not as daring as one might hope.

4. "I Fell in Love Today" by Ween ( from Shinola, Vol 1, 2005 )
This collection was pretty lackluster compared to the group's regular studio albums, but this song is great. You never know what you're going to get with Ween, but this one's anchored by a low, head-nodding groove an it never builds too far beyond that because it never needs to. It's the kind of song you listen to and it sort of automatically makes you strut, which fits well with the theme ("You people can't touch me / I fell in love today"). The guitar tone on the chilled-out solo is great, too.

5. "Triangle" by Tripping Daisy ( from Bill, 1993 )
I just got this today, actually, so I don't have much to say about it. It IS hard to believe this is the same guy who fronts The Polyphonic Spree--he's singing about a preacher jacking off on TV over a very consciously "slightly-post-grunge" guitar riff. As I understand it, this album was largely dismissed because of exactly that sort of self-consciousness, which I guess I can see. There's nothing bad about this so far, but it's not especially grabbing either. Jesus Hits Like the Atom Bomb is a pretty fine album, though.

6. "Casimir Pulaski Day" by Sufjan Stevens ( from Come On Feel the Illinoise!, 2005 )
I have a sort of a love/hate thing with Sufjan. On the one hand, he can be a little... much at times--overly precious, I guess would be a way of putting it. And this album did not need to be 22 damn songs long. However, for all his coyness, when he gets it right, he gets it right and this (along with "Romulus") is one of his two finest moments. One could write a novel from these lyrics--there's enough pathos and detail to back it up without being overly wordy or coming off as melodramatic as the subject matter (falling in love with a dying girl) could easily have been. It's beautiful and the banjo/horn thing he tends to work has the perfect air of slight melancholy without being histrionic.

7. "Ice" by The Microphones ( from It Was Hot, We Stayed in the Water, 2000 )
Phil writes such weird pop songs. Because this is a pop song, despite the fuzzed-out atonality, the rapidly shifting structure (no verse/chorus/verse here), the odd tinkly bells or static sounds or whatever else. It's catchy despite itself. That's why this was such a great band. I think his new band (Mount Eerie) is finally going to put out another one this year. I hope.

8. "Straight Freak Show" by Love Battery ( from Straight Freak Ticket, 1995 )
Sigh. My ex bought me this album so it reminds me of some weird things. But it's still good--definitely an unrecognized grunge/alternative/whatever band with a little bit of a psychedelic edge to them. It's definitely of its era, but there's a charm here--summer, soda, skateboards, that sort of thing.

9. "Snagglepuss" by John Zorn ( from Naked City, 1989 )
Somewhere in the ether, jazz had a hot, steamy threesome with metal and new wave. This album (all 26 demented tracks of it) was born from that perverse union. This song bounces around between "normal" lite-jazz passages and the sound of Zorn herniating himself on his sax over other freakishly tortured instruments--like a really freaky musical game of "Red Light, Green Light." It's awesome.

10. "Simple Song" by Lyle Lovett ( from Pontiac, 1987 )
It's easy for me to focus on Lyle songs like "If I Had a Boat" or "Penguins," which are so... charmingly odd, I forget he can be this damn pretty. Incidentally, Pontiac is a milestone of alt-country music and something everybody needs to hear at least once.

Actually, on that note: